FREN 390 - Postwar French Cinema (1945-1975)

This course examines the testimonial and critical function taken on by French cinema in the second half of the twentieth century. Focusing on films that problematize significant trends or crises in this historical period (the Occupation, the Holocaust, decolonization, the rise of consumer society, student protests in May ‘68, etc.), we will discuss what formal strategies allow the filmic medium to propose critical alternatives to traditional historical narratives. Additionally, we will read key essays by film critics and theorists that examine the commitment of postwar French cinema to politics and ethics. Films viewed include works by filmmakers Melville, Resnais, Bresson, Tati, Varda, Truffaut, Godard, Marker, Eustache, and Akerman, as well as various cinétracts. Course includes weekly film screenings. Discussion in French.

Unit(s): 1
Group Distribution Requirement(s): Distribution Group I
Prerequisite(s): FREN 212 or equivalent
Instructional Method: Conference-screening
Grading Mode: Letter grading (A-F)
Group Distribution Learning Outcome(s):

Understand how arguments can be made, visions presented, or feelings or ideas conveyed through language or other modes of expression (symbols, movement, images, sounds, etc.);
Analyze and interpret texts, whether literary or philosophical, in English or a foreign language, or works of the visual or performing arts;
Evaluate arguments made in or about texts (whether literary or philosophical, in English or a foreign language, or works of the visual or performing arts).